The Girl from Widow Hills

How it reads

The Girl from Widow Hills is mystery (psychological mystery, specifically), and its dominant mood is eerie. It's atmospheric and uncanny, with a sense that something is wrong. The pace is moderate — neither a page-turner nor a slow burn — so it holds up whether you read it in long sittings or short ones.

It's set in a small town setting, in the present day, told in the third person, staying close to one character. Its central concerns are secrets, identity and loss and grief. In weight it sits in the middle: substantial without being heavy going.

It stands alone, so there's nothing else you need to read first or after. The ending resolves happily. It's well known, the kind of book most keen readers have heard of.