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We Are All Completely Beside Ourselves

Karen Joy Fowler

2013 · 310 pages · Literary fiction

melancholy moodslow burnheavy and literary tonebittersweet ending

How it reads

We Are All Completely Beside Ourselves is literary fiction (literary family saga, specifically), and its dominant mood is melancholy. It's quietly sad, wistful and reflective. It's a slow burn: character-driven, with a payoff that comes from accumulation rather than twists. It rewards attention and suits unhurried reading more than five-minute gaps.

It's set in a suburban setting, in the recent past, told in the first person by a single narrator. Its central concerns are family, identity and coming of age. In weight it's heavy and literary — denser, more serious, and more demanding of you.

It stands alone, so there's nothing else you need to read first or after. The ending is bittersweet: it resolves, but at a price. At 310 pages it's a quick read. It's well known, the kind of book most keen readers have heard of.

Pick it up if…

  • you're in the mood for something melancholy
  • you have time to settle in
  • you want something to chew on

Maybe not if…

  • you need something funny or hopeful
  • you're reading in five-minute gaps

All 15 dimensions

Author gender
female
Author experience
prolific veteran
Setting: place
suburban
Setting: time
recent past
Mood / feeling
melancholy
Tone / weight
heavy and literary
Length
medium
Narrative style
first person, one narrator
Publication era
recent
Popularity
well known
Series vs standalone
standalone
Ending style
bittersweet

What these mean: the 15 dimensions of a book.

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