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The Descent of Man

Grayson Perry

2016 · 151 pages · Narrative nonfiction

funny moodmoderate pacebalanced toneambiguous ending

How it reads

The Descent of Man is narrative nonfiction (cultural essay, specifically), and its dominant mood is funny. The humour is the point, not garnish. The pace is moderate — neither a page-turner nor a slow burn — so it holds up whether you read it in long sittings or short ones.

It's set in an international setting, in the present day, told in the first person by a single narrator. Its central concerns are identity, class and society and art and creativity. In weight it sits in the middle: substantial without being heavy going.

It stands alone, so there's nothing else you need to read first or after. The ending is left open, for you to argue about. At 151 pages it's a single-sitting book. It's moderately known: read by plenty of people, but not a household name.

Pick it up if…

  • you're in the mood for something funny
  • you want a complete story in one book
  • you're drawn to stories about identity

Maybe not if…

  • you need something melancholy, dark or tense

All 15 dimensions

Author gender
male
Author experience
established
Setting: place
international
Setting: time
contemporary
Mood / feeling
funny
Pace
moderate
Tone / weight
balanced
Length
short
Narrative style
first person, one narrator
Publication era
recent
Popularity
moderately known
Series vs standalone
standalone
Themes
identity, class and society, art and creativity
Ending style
ambiguous

What these mean: the 15 dimensions of a book.

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