Blindness
José Saramago
1995 · 349 pages · Classics
How it reads
Blindness is classics (literary dystopian fiction, specifically), and its dominant mood is dark. It goes to difficult places and doesn't look away. It's a slow burn: character-driven, with a payoff that comes from accumulation rather than twists. It rewards attention and suits unhurried reading more than five-minute gaps.
It's set in a big city setting, in no single period, told in the third person across several viewpoints. Its central concerns are survival, identity and loss and grief. In weight it's heavy and literary — denser, more serious, and more demanding of you.
It stands alone, so there's nothing else you need to read first or after. The ending is left open, for you to argue about. At 349 pages it's an ordinary novel's length. It's a mega-bestseller — the book everyone seems to have read.
Pick it up if…
- you're in the mood for something dark
- you have time to settle in
- you want something to chew on
Maybe not if…
- you need something cosy, heartwarming or funny
- you're reading in five-minute gaps
All 15 dimensions
- Genre
- classics
- Author gender
- male
- Author experience
- prolific veteran
- Setting: place
- big city
- Setting: time
- timeless or multiple
- Mood / feeling
- dark
- Pace
- slow burn
- Tone / weight
- heavy and literary
- Length
- medium
- Narrative style
- third person, several viewpoints
- Publication era
- modern classic
- Popularity
- mega-bestseller
- Series vs standalone
- standalone
- Themes
- survival, identity, loss and grief
- Ending style
- ambiguous
What these mean: the 15 dimensions of a book.
Books with a similar reading
The closest books in Match Book's catalogue across the same dimensions, and what they share.
- Notes from UndergroundFyodor DostoevskyShares: classics, dark mood, heavy and literary tone, slow burn
- AsunderKerstin HallShares: dark mood, heavy and literary tone, slow burn, ambiguous ending
- The MetamorphosisFranz KafkaShares: classics, heavy and literary tone, slow burn, set in big city
- Blood Meridian, or, the Evening Redness in the WestCormac McCarthyShares: classics, dark mood, heavy and literary tone, slow burn
The WhispersAshley AudrainShares: dark mood, heavy and literary tone, slow burn, ambiguous ending
Why the Tree Loves the AxJim LewisShares: dark mood, heavy and literary tone, slow burn, ambiguous ending
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